About Vlora

Vlora Nikçi is an actress from Kosovo. She was born in the city of Peja and moved to Prishtina as a child. In 1999, she came to America with her family as a refugee from the Kosovo war. She spent her adolescence in Brooklyn, NY, where she completed High School.

After the end of the war, her father returned to their homeland to help establish the institutions of the new Republic of Kosovo. Vlora, together with her mother and her younger brother, Hekuran, returned to a country scarred by conflict. Her older brother Valon continued his studies in America.

Vlora inherited her passion for the arts from her mother. She studied at the Faculty of Dramatic Arts in the University of Prishtina. Already she was working on stage and screen. Following her studies, she participated in many plays, taking leading roles for the National Theatre of Kosovo and for the capital’s Dodona Theatre. From the very beginning of her studies and then her professional life, she was attracting international ‘Best Actress’ awards.

For twenty years she has been active not only on the stage but on film and TV; she has featured prominently in diverse festivals. In 2018 she completed the Atlantic Theater Company of New York’s summer school; there she worked with and learned new performance techniques from famous names including F. Murray Abraham.

In recent years, Vlora has also devoted herself to cultural heritage. She was the first woman to publish a collection of ‘Erotic Folk Verses’ in her country, breaking taboos all over the Albanian-speaking world. The book was a bestseller in 2021-2022. Several of the verses from this anthology have been published by VSW Art House of Brooklyn, NY. Her second book, Blessings and Curses, also focuses on cultural heritage.

Vlora has also been continuously engaged with the cause of 20,000 ethnic Albanian women who were raped during the Kosovo conflict in 1998-1999. She has highlighted this cause through innumerable written pieces, and through performances for the National Theatre of Kosovo directly addressing the issue: she borrowed clothing from these women – specifically, the clothes they had been wearing when they were raped – and used these for public performance. Accordingly, Vlora has become a voice for these woman, and supported them in confronting this enduring trauma. She was also a member of the committee to select a motif for the cause of women violated during the war. She continues to work for the rights of women and girls in Kosovo.

Today Vlora lives in New York, together with her actor husband Armend Baloku and their son Ene.

Proffesinal Experience

Theatre

2002

Night Turn

National Theatre of Kosova

Arian Krasniqi

Character: Doctor | Directed: Tomor Misini

2004

Twelfth Night

National Theatre of Kosova

Shakespeare.

Character: Viola | Directed: Kastriot Saqipi

2010

Speed the Plow

Oda Theatre, Kosovo

David Mamet.

Character: Caren | Directed: Burbuqe Berisha

2010

National Theatre of Kosova, Macedonia, and Albania

Henrik Ibsen

Character:Anitra| Directed: Slobodan Unkovski

2012

Murlin Murlo

Professional Theatre of Peja, Kosovo

Nikolaj Koljada

Character: Ina | Directed: Enver Petrovci

2014

National Theatre of Kosova

Luigi Pirandello

Character: Step-Daughter | Directed: Orhan Kerkezi

2015

Dodona Theatre, Kosova Producers Club Theatres, NewYork

Edward Albee

Character: Gillian | Directed: Kaltrim Balaj

2017

The Open Couple

Producers Club Theatres, NewYork

Written by: Dario Fo

Character: Wife | Directed: Vlora Nikçi & Armend Baloku

2019

Beast on the Moon

National Theatre of Kosova

Written by: Richard Kalinoski

Character: Seta | Directed: Vlora Nikçi & Butrint Pasha

2022

National Theatre of Kosova

Written by: Enver Petrovci

Character: Nita | Directed: Enver Petrovci

Proffesinal Experience

Film & TV Shows

2005

Art Marriage

Written by: Shpend Krasniqi.

Arberesha: Leading role | Directed: Ismail Ymeri & Shpend Krasniqi

2011

Qyteti pa Lumë

TV Show

Anita

2014

Pandora

Written by: Arlinda Morina.

Pandora- Leading role | Directed: Arlinda Morina

2016

Mbreteria

Written by: James & Sara Mayer

Arta- Supporting role | Directed: James & Sara Mayer

2016

Tenderi

Written by: Arlinda Morina

Leading role | Directed: Arlinda Morina

2017

Sunrise

Director: Krenar Belegu

Role: Investigative Police

Awards

2004

Best Actress in Leading Role.

Viola by Shakespeare.

2011

“40th Anniversary Ferizaj Festival” Ferizaj, Kosovo

Best Supporting Actress.

Ina by Nikolaj Koljada.

2022

“Ditet e komedise shqiptare “ – “ The Days Of Albanian Comedy” Presheva, Serbia

Best Actress

“Marriage play” by Edward Albee

2022

“Albanian Theater in North Macedonia”

Best Actress

Nita- Muslimani

Publishing

2024

Alb. “Bekime dhe Mallkime”, Eng. “Blessings and Curses”

2019

Alb. “Kangë Popullore Erotike”, Eng. “Erotic Folk Songs”

A collection of old erotic folk songs from Ballkan.

Bestseller.

Latest

News

28, June 2019

The cast of Beast on the Moon

The play “Beast on the Moon” by the American author Richard Kalinoski is a tragicomedy about the children of war. Adapting it for actors from Kosovo had a particular power, because each of them was a child of the last war in the country in 1998-1999. All the other artists who worked to realize this play were children who emerged from that war.

It was Vlora Nikçi’s idea to stage this tragicomedy at the National Theater of Kosovo. She began to develop it together with actor Armend Baloku, the two of them representing their own war pain through the characters in the play, Seta and Aram Tomasian. Their team was joined by the representative of victims of sexual violence during the war in Kosovo, Ms. Vasfije Krasniqi Goodman.

In performance, Vlora wore clothing which Kosovo-Albanian women and girls had been wearing during the horrific incidents they endured at the hands of Serbian policemen and soldier during the war in Kosovo – including throughout the scene depicting the character’s memory of rape. These costumes were left at the door of the National Theater anonymously, with the inscription: “Wear our pain and show it to the world.”

Every night, the audience included women and men who were victims of sexual violence during the war in Kosovo when they were children. “It was difficult when I heard sighs, cries, and long-forgotten screams of fear from women and men in the audience during my performance,” said Vlora Nikçi after the premiere.

“Beast on the Moon” thus became a catharsis of war pain for the Albanians of Kosovo and for the artists who created it.

Let’s work together

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